Conferences, Lectures, Seminars, Workshops: see here.
Jérôme Nika, Augustin Muller, Joakim Borg, Manuel Poletti, Gérard Assayag. (2022). Dicy2 for Ableton Live. Technical report, user guide. https://hal.science/hal-03892601/document
Jérôme Nika, Augustin Muller, Joakim Borg, Gérard Assayag, Matthew Ostrowski. (2022). Dicy2 for Max. Technical report, user guide. https://hal.science/hal-03892611/document
Tristan Carsault, Jérôme Nika, Philippe Esling, and Gérard Assayag. 2021. Combining Real-Time Extraction and Prediction of Musical Chord Progressions for Creative Applications. Electronics 10, no. 21: 2634. https://doi.org/10.3390/electronics10212634
Aliénor Golvet, Louise Goupil, Pierre Saint-Germier, Benjamin Matuszewski, Gérard Assayag, Jérôme Nika, & Clément Canonne. (2021). With, against, or without? Familiarity and copresence increase interactional dissensus and relational plasticity in freely improvising duos. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication. https://doi.org/10.1037/aca0000422
Jérôme Nika, Jean Bresson. Composing Structured Music Generation Processes with Creative Agents. 2nd Joint Conference on AI Music Creativity (AIMC), 2021, Graz, Austria. ⟨hal-03325451⟩
Georges Bloch, Jérôme Nika, Quentin Barrois. Synthèse concaténative et image : DYCI2 et Omax-vidéo. Journées d’Informatique Musicale 2020 (JIM 2020), Oct 2020, Strasbourg, France. ⟨hal-03325443⟩
Ken Déguernel, Emmanuel Vincent, Jérôme Nika, Gerard Assayag, Kamel Smaïli. Learning of Hierarchical Temporal Structures for Guided Improvisation. Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press), 2019.
Tristan Carsault, Andrew McLeod, Philippe Esling, Jerome Nika, Eita Nakamura, Kazuyoshi Yoshii. Multi-Step Chord Sequence Prediction Based on Aggregated Multi-Scale Encoder-Decoder Network. IEEE 29th International Workshop on Machine Learning for Signal Processing (MLSP), 2019.
Jérôme Nika. Nuages chantants (Lullaby Experience, Pascal Dusapin). L’etincelle, Ircam, (https://manifeste.ircam.fr/article/detail/nuages-chantants/), May 2019.
Tristan Carsault, Jérôme Nika, Philippe Esling. Using musical relationships between chord labels in automatic chord extraction tasks. International Society for Music Information Retrieval Conference (ISMIR 2018), Sep 2018, Paris, France.
Georges Bloch, Jérôme Nika. Edith Piaf, Billie Holiday, and Elisabeth Schwarzkopf Making Music Together. Kapoula Z., Volle E., Renoult J., Andreatta M. Exploring Transdisciplinarity in Art and Sciences, Springer, pp.275–299, 2018.
Jérôme Nika, Ken Déguernel, Axel Chemla––Romeu–Santos, Emmanuel Vincent, Gérard Assayag. DYCI2 agents: merging the ”free”, “reactive”, and “scenario–based” music generation paradigms. International Computer Music Conference, Oct 2017, Shangai, China.
Ken Déguernel, Jérôme Nika, Emmanuel Vincent, Gérard Assayag. Generating Equivalent Chord Progressions to Enrich Guided Improvisation : Application to Rhythm Changes. SMC 2017 – 14th Sound and Music Computing Conference, Jul 2017, Espoo, Finland.
Dimitri Bouche, Jérôme Nika, Alex Chechile, Jean Bresson. Computer–aided Composition of Musical Processes. Journal of New Music Research, Taylor & Francis (Routledge), 2017, 46 (1).
Jérôme Nika, Marc Chemillier, Gérard Assayag. ImproteK: introducing scenarios into human–computer music improvisation. ACM Computers in Entertainment, 2017.
Jérôme Nika, Guiding human–computer music improvisation: introducing authoring and control with temporal scenarios. Sound [cs.SD]. UPMC – Université Paris 6 Pierre et Marie Curie, 2016.
Jérôme Nika, Marc Chemillier, Gérard Assayag. Guider l’improvisation musicale homme–machine : une synthèse sur le système ImproteK. Journées d’Informatiques Musicales (JIM) 2016, GMEA – Labri, Mar 2016, Albi, France.
Marc Chemillier, Jérôme Nika. «Étrangement musical » : les jugements de goût de Bernard Lubat à propos du logiciel d’improvisation ImproteK. Cahiers d’ethnomusicologie, Ateliers d’ethnomusicologie, 2015.
Jérôme Nika, Dimitri Bouche, Jean Bresson, Marc Chemillier, Gérard Assayag. Guided improvisation as dynamic calls to an offline model. Sound and Music Computing (SMC), Jul 2015, Maynooth, Ireland.
Jérôme Nika, Marc Chemillier. Improvisation musicale homme–machine guidée par un scénario temporel. Technique et Science Informatiques, Hermès–Lavoisier, 2015, Numéro spécial Informatique Musicale, 7–8 (33), pp.651–684.
Jérôme Nika, José–Manuel Echeveste, Marc Chemillier, Jean–Louis Giavitto. Planning Human–Computer Improvisation. International Computer Music Conference, Sep 2014, Athens, Greece.
Marc Chemillier, Jean Pouchelon, Julien André, Jérôme Nika. LA CONTRAMÉTRICITÉ DANS LES MUSIQUES TRADITIONNELLES AFRICAINES ET SON RAPPORT AU JAZZ. Anthropologie et sociétés, Québec : Département d’anthropologie, Faculté des sciences sociales, Université Laval, 2014, 38 (1), pp.105–137.
Jérôme Nika, Marc Chemillier. Improtek: integrating harmonic controls into improvisation in the filiation of OMax. International Computer Music Conference (ICMC), Sep 2012, Ljubljana, Slovenia. pp.180–187.Jérôme Nika, Marc Chemillier. ImproteK : intégrer des contrôles harmoniques pour l’improvisation musicale dans la filiation d’OMax. Journées d’Informatique Musicale (JIM), May 2012, Mons, Belgique. pp.147–155.
Jérôme Nika 