🗣️ Thursday April 3, 2025 6pm – 9pm @ IRCAM “Between writing and improvisation” with Alexandros Markeas and Jérôme Nika. As part of the “Pourquoi écrire la musique” seminars.
🗣️ Thursday April 3, 2025 6pm – 9pm @ IRCAM “Between writing and improvisation” with Alexandros Markeas and Jérôme Nika. As part of the “Pourquoi écrire la musique” seminars.
🗣️ National music research meetings, March 19, MSH Paris Nord. 2 presentations: “Lutherie générative et observation participante” and “L’IA comme médiation réflexive pour la réappropriation contemporaine de la musique médiévale” (with Valérie LE PAGE, Xavier Fresquet).
March 12, 2025 : invited seminar at the Computer Music Center – Columbia University in the City of New York.
Thursday, January 30: A full day of masterclasses and collective improvisations in Alexandros Markeas and Vincent Lê Quang’s Generative Improvisation class at the Conservatoire National Supérieur de Musique et de Danse.
The paper “Critical Climate Machine: A Visual and Musical Exploration of Climate Misinformation Through Machine Learning” written with Gaëtan Robillard won the Best Art Papers Award at SIGGRAPH 2024.
The podcast (in French) recorded at the Longueur d’ondes festival last February on sound and AI, with Ludmila Postel, Quentin Bresson and Joel Ronez from BINGE AUDIO, is now online.
Our paper “Critical Climate Machine” is highlighted on the ACM SIGGRAPH 2024 Denver conference blog: joint interview with Gaëtan Robillard about the process and inspirations.
This page presents new resources about Dicy2: a video presentation giving an exhaustive overview of its features and links to new sharing rooms for the Dicy2 community.
This new video presented among the “Dicy2 News” at the Ircam 2024 Forum, briefly illustrates a few examples of interactions that can be implemented with Dicy2 generative agents: from simple adaptive audio FX to articulated musical duets.
Conference @ Médiathèque Musicale de Paris (As part of NUMOK 2024, digital culture festival organized by the libraries of the City of Paris): Generative “Artificial Instruments”: new lutherie for new musical practices (in French).