The “Ex Machina” project (Steve Lehman, Frederic Maurin, Orchestre National de Jazz), for which I created the generative electronics, will be played in Germany and Austria in January and February 2023.

The “Ex Machina” project (Steve Lehman, Frederic Maurin, Orchestre National de Jazz), for which I created the generative electronics, will be played in Germany and Austria in January and February 2023.
Interactive concert, “Music of Choices” by Alexandros Markeas @ Conservatoire de Bourges, Fri 3 February 2023, 8 p.m.
Dicy2 is both a package for Max and a plugin for Ableton Live implementing interactive agents using machine-learning to generate musical sequences that can be integrated into musical situations ranging from the production of structured material within a compositional process to the design of autonomous agents for improvised interaction.
The “Ex Machina” project (Steve Lehman, Frederic Maurin, Orchestre National de Jazz), for which I created the generative electronics, will tour the USA and Canada in October and November 2022.
From October 30 to November 3, I will be at New York University for a conference, a masterclass, a workshop, and a film screening.
“In order of appearance”, first track from the upcoming debut album by C’est pour ça (Rémi Fox, Saxophone & Jérôme Nika, AI generative electronics). Video by Vir Andres Hera.
June 1, 2022. The presentation of the artistic residency “Hi. A. – Hippocampe Artificiel” (“A. Hi. – Artificial Hippocampus) with Rémi Fox at IRCAM is online.
April 7, 2022 @ Conservatoire National des Arts et Métiers: I was one of the 6 speakers invited to give a live streamed presentation during the “Artificial Intelligence and Creativity Day” organized by the French Association for Artificial Intelligence (AFIA).
A making-of about the creation of the “AI” electronics for “Ex Machina” @ France Musique (Steve Lehman, Frédéric Maurin; Orchestre National de Jazz, IRCAM) by Catherine Radosa.
Wednesday, March 23, 2022, 8pm @ La Gaîté Lyrique: Vir Andres Hera and Jérôme Nika, screening and discussion moderated by Ingrid Luquet-Gad on “Misurgia Sisitlallan” (Le Fresnoy – Studio national des arts contemporains).